And yet, she has still come out the other side, sparkling, self-assured and ready to revel in a career built on resilience and reinvention — something only a true showgirl could achieve. When she announced the album, she declared, “And baby, that’s showbiz for you.” No one knows that better than someone who has been through the ringer in the industry like Swift has. What is most apparent on the album, though, is just how much Swift embraces every aspect of who she is.
The thing that differentiated her from other writers — and still does to this day — is her songwriting. The world now knows Taylor Swift as a global pop superstar, but back in 2006, she was just a doe-eyed country prodigy. Despite its ghoulish title, artificial intelligence appears to be the object of terror in what many, including the GRAMMY voters who awarded it Best Pop Duo/Group Performance in 2024, regard as the highlight of SZA’s sophomore. But four years after the Team Edward vs Team Jacob saga wrapped up, folk hero Jason Isbell proved mythical bloodsuckers weren’t a barrier to awards success. David Bowie fans may well feel aggrieved that his post-punk classic “Scary Monsters (and Super Creeps)” was entirely ignored by GRAMMY voters, while the bro-step banger it inspired was showered with awards. It’s a bold feminist act that helped power parent album CrazySexyCool to diamond status and was deservedly rewarded with Best R&B Performance By A Duo Or Group With Vocal at the 1996 GRAMMYS (where CrazySexyCool was also crowned Best R&B Album).
Rihanna hits the blue carpet for ‘Smurfs’ premiere in Brussels
To celebrate Taylor Swift’s newest era with The Life of a Showgirl, GRAMMY.com looks back on all of her albums (Taylor’s Versions not included) and how each era shaped her remarkable career. Swift has become one of music’s most notable shapeshifters by refusing to limit herself to one genre, moving between country, pop, folk, and beyond. Oh, and she’s also won 14 GRAMMY Awards, including four for Album Of The Year — the most ever won by an artist. Upon the arrival of Taylor Swift’s ‘The Life of a Showgirl,’ take a deep dive into her discography and see how each album helped her become the genre-shifting superstar she is today. And “Haunted,” a poetic lament to unrequited love (“Rose perfume, low-lit room/ I’ll pretend you’ll stay forever”) soundtracked by shuffling bossa nova beats and sultry strings, casts its most potent musical spell.
On the Life of a Showgirl track directly named after the late icon, Swift circles back to the themes she touched on with folklore’s “Peace” and the tension between her private reality and her public persona. While half of The Life of a Showgirl’s 12 tracks peer into the darker corners of fame and explores the loneliness, scrutiny and fractures that used to come with it, the other half are dedicated to falling completely head over heels. And on The Tortured Poets Department’s “The Prophecy,” she pleaded for someone to change what she believed to be her predestined future of being alone and what she’d give up to find someone she loves.
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She especially enjoyed singing and won a high-school talent show with a rendition of a Mariah Carey song. As a child, she listened to Caribbean music, such as reggae, as well as American hip-hop and R&B. Rihanna (born February 20, 1988, St. Michael parish, Barbados) is a Barbadian pop and rhythm-and-blues (R&B) singer who became a worldwide star in the early 21st century. In 2022, Rihanna advocated for reforming the global financial system to better address climate change and poverty, including providing aid to nations most affected by climate-related crises. In October 2019, she stated that she declined to perform at the 2020 Super Bowl halftime show in support of Colin Kaepernick following the controversy surrounding his role in the national anthem protests. Proceeds from the single supported the fundraiser, which ultimately helped raise $100 million for cancer research.
Swift also found a new sense of creativity betista casino within this new mindset, one where she aimed to still embed playful themes in her songwriting but with less snark than that of “Blank Space” and “Look What You Made Me Do.” Leaning into Lover being a “love letter to love,” Swift explored every aspect of it. After finding love amongst chaos with reputation, Swift was learning to deal with the anxiety and fear of losing her partner — became a major theme of another aptly titled album, Lover. With time, though, it became clear that the response to reputation became muddled with the public’s overall perception of her at the time — some even claimed that Swift was ahead of her time with the album’s overall sound. Although Swift said that the album has its vindictive moments — even declaring that the “old Taylor” is dead on the bridge of “Look What You Made Me Do” — it’s a vulnerable record for her. Following the release of 1989, Swift became a cultural juggernaut, and the album has had an omnipresence in music since. And where some might trade a hit or two at the expense of their artistic integrity, Swift didn’t falter — instead, her lyrics were just as heartfelt and intimate as they were on prior albums.
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The Tortured Poets Department proves that in the throughline of Taylor Swift’s many artistic eras is a commitment to exploration and a love of autobiographical lyricism. Celebrating her genre-defying and varied discography through The Eras Tour has resulted in old songs having a resurgence, new inside jokes and Easter eggs within the fandom, and a plethora of new listeners being exposed to Swift’s work. Country songs like “cowboy like me” and “no body, no crime” reaches back to Swift’s earlier work in narrative building, seamlessly crafting a three-party story with ease.
She first gained prominence in 2005 with her debut album “Music of the Sun,” which quickly established her as a force in the music industry. Known for her unique style and chart-topping hits, she has influenced music and fashion worldwide. She told Winfrey that Brown may have been the love of her life and she has developed “a very close friendship” with him. The pair worked together on the song “Birthday Cake,” released that year.
Jess Cartner-Morley of The Guardian called her wardrobe “the most talked-about, influential and dissected in pop”, stating that whatever she wears is quickly reproduced in mainstream fashion. Rihanna has credited her mother as the earliest inspiration for her love of fashion, recalling how she admired her getting dressed as a child. With the release of her third album Good Girl Gone Bad (2007), Rihanna abandoned her innocent image in favour of a sharper, edgier style. Known for her changing style and image, Rihanna’s music and fashion choices have been closely followed by the media. Rihanna has been described by the media as a pop and fashion icon, particularly since the release of Good Girl Gone Bad (2007). InStyle’s George Epaminondas described Rihanna’s videos as cinematic and highlighted their island rhythms, pop sensibilities, and playful sensuality.
Videography and stage
Nancy was largely unaware of its popularity as a hip-hop sample, and didn’t receive royalties for the tune (itself owned by producer Winston Riley, who died in 2012). She never stopped performing, and while Sister Nancy traveled as far as Israel to sing, she was often relegated to multi-artist bills — and not in the largest text. It’s been used in film and television, including prominently in 1998’s Nas- and DMX-featuring Belly. Multiple sources consider it the most sampled reggae song ever (WhoSampled.com counts 155 samples), with Beyoncé, Madlib, Run D.M.C., Lauryn Hill, Chris Brown, Alicia Keys, Ariana Grande, and Buju Banton and many others pulling from Nancy’s crisses lyrics. Sister Nancy wouldn’t perform the song on a Jamaican stage for eight years, until she featured at 1990’s Sting competition. “I went with Yellowman to Harry J’s Studio. Yellowman did a ‘Bam Bam,’, and I had to finish my One, Two album, and I just said I am going to do a tune like Yellowman did. And I did ‘Bam Bam,’ my way,” Nancy recalls.
The lead single, “Work”, topped the US Billboard Hot 100 chart, with the third and fourth singles, “Needed Me” and “Love on the Brain”, peaking within the top ten. With an eclectic blend of genres such as pop, dancehall, and psychedelic soul, Anti peaked at number one on the Billboard 200, marking her second chart-topping record in the US. It spent ten non-consecutive weeks at number one on the Billboard Hot 100, making it both Rihanna’s longest-running chart-topping single and the longest-running number one song in the US in 2011. To support the album, Rihanna launched the Loud Tour in June 2011, which included a record-breaking ten sold-out shows at The O2 Arena in London—the most by a female artist in the venue’s history.
She’d see visceral images in her mind — from battleships to tree swings to mirrored disco balls — and turned them into stories, sometimes weaving in her own personal narrative throughout, or taking on a narrator role and speaking from the perspective of someone she had never met. Crafting a world with characters like the folklore love triangle between those in “betty” and “august,” as well as Rebekah Harkness from “the last great american dynasty” (who once lived in Swift’s Rhode Island mansion), was Swift’s way of venturing outside her typical autobiographical style of writing. Without exactly setting out to create an album, she began dreaming of fictional stories and characters with various narrative arcs, allowing her imagination to run free. But Lover was more than any accolades could reflect — it was Swift’s transitional album in many ways, notably marking the first album that she owned entirely herself following leaving Big Machine Records for Republic Records in 2018. This evolution is mentioned throughout Lover, particularly in a direct callback to 2012’s Red, “Daylight,” which sees her describe her love as “golden” rather than “burning red.”
- One of Rihanna’s most precious offerings to date, “Diamonds” emerged as a self-love mantra due to its uplifting “Shine bright like a diamond” chant.
- Accolades aside, ANTI is proof that magic happens when an artist of Rihanna’s caliber follows their own instincts in pursuit of creating a body of work — one that can outlast them and continue to inspire generations to come.
- After the muted sonic tones of The Tortured Poets Department, The Life of a Showgirl is possibly Swift’s most jubilant album yet.
- In 2016, it was confirmed that Rihanna would release her music through her own label, Westbury Road Entertainment, founded in 2005 and named after her childhood home in Barbados.
- Swift opted to lean more into radio-friendly hits, which resulted in songs like “Style,” “Wildest Dreams,” “Blank Space,” and “Shake It Off,” all of which became singles.
It topped the Billboard Hot 100 for seven consecutive weeks and peaked at number two in the UK; it was also the latter country’s best-selling song of 2010. In June 2010, she collaborated with rapper Eminem on the single “Love the Way You Lie”. In support of the album, Rihanna embarked on the Last Girl on Earth tour from 2010 to 2011. The single “Rude Boy” peaked atop the Hot 100 for six weeks, while “Russian Roulette” and “Hard” both peaked within the top ten.
- That year, fans also got their first glimpse of the pop superstar alongside Sandra Bullock, Cate Blanchett, and Anne Hathaway in trailers for Ocean’s 8, a female-led spinoff of the popular Ocean’s Trilogy which hit theaters in June 2018.
- Traditional Appalachian folk song “O Death” had previously been recorded by the likes of gospel vocalist Bessie Jones, folklorist Mike Seeger and Californian rockers Camper Van Beethoven, just to name a few.
- Their “FourFiveSeconds” is a pop-folk hybrid with a universal message about carrying the weight of the world on your shoulders.
- In early 2005, she performed in New York City for Jay-Z and music executive Antonio “L.A.” Reid, singing Whitney Houston’s “For the Love of You” along with demo tracks “Pon de Replay” and “The Last Time”.
- Rihanna aimed to explore more sexually expressive themes on her sixth studio album, Talk That Talk, which was released on November 18, 2011.
- In 2015, Rihanna became the first artist in history to have 100 million singles digitally downloaded and streamed.
- Sadly not a tribute to the classic ’60s sitcom starring Elizabeth Montgomery, Bewitched is instead a self-described “love album” that helped Laufey surpass Björk and Sigur Ros as Iceland’s most streamed artist.
An interpolation of Toots and the Maytals’ 1966 song of the same name, Sister Nancy’s in-studio freestyle was laid over sparse rub-a-dub production, allowing her declaration of ambition and skill to ring loud and clear. In addition to her status as a rare female voice in a sea of male performers at the dawn of dancehall, Sister Nancy is recognized for her influential, highly sampled single “Bam Bam.” While Sister Nancy needn’t be reminded of her influence — “I’m the woman who created dancehall … on the mic system, around the sound system. I’m the one who did all of that, first” — the past 15 years have seen the artist receive her flowers on a global stage. “I will never be your ordinary thing. When you come to see me, it doesn’t matter the time or the space, it’s always going to be good.” “People love what I stand for. I always give the audience something they can think about,” Sister Nancy tells GRAMMY.com, Zooming in from a car in Midtown Manhattan.
Public image
“Wood” and “Honey” capture the playfulness of true love, while songs like “WI$HLI$T” and “Elizabeth Taylor” see love not as a distraction from her life’s work but as the very thing that makes it feel meaningful. Many of the love songs on Swift’s more recent albums are brimming with anxiety, from Lover’s “Cornelia Street” (“I hope I never lose you, hope it never ends”) to folklore’s “Peace” (“The rain is always gonna come if you’re standing with me”). One of the biggest takes by critics — that borderlines on sexist at times — is that Swift won’t be able to write good, reflective music that cuts deep like the songs that orbit around heartache and pain.
Rihanna has faced personal challenges, including a highly publicized incident of domestic violence with former boyfriend Chris Brown. With these endeavors combined with her musical empire, Rihanna has not only cemented her legacy in music but also positioned herself as a powerful icon in the world of entrepreneurship. The singer launched her makeup line, Fenty Beauty, in 2017, gaining instant popularity for its extensive range of shades catering to all skin tones. This wealth is a result of her multifaceted career, which extends beyond music to include ventures in fashion, beauty, and film. Rihanna, one of the most successful pop stars of her generation, has amassed an impressive net worth estimated to be around $1.7 billion, according to Forbes. Rihanna’s romantic life has often made headlines, with notable relationships sparking both admiration and intrigue.
Instead, she wanted to capture the years of her life while they still represented what she was going through, writing about what she was observing and experiencing, from love and friendship to feeling like an outsider. Written throughout her adolescence, Taylor Swift was recorded at the end of 2005 and finalized by the time Swift finished her freshman year of high school. In a genre dominated by men, the odds were already stacked against Swift when she first broke into country music as a teenage female artist.
Janelle Monáe featured Nancy not once but twice on 2023’s Album Of The Year-nominated The Age Of Pleasure, and sampled “Bam Bam” on “Water Slide.” In further recognition of her impact, Burberry asked Sister Nancy to participate in their spring/summer 2024 campaign, which was shot in Jamaica. She’s performed on global stages and can be seen regularly at New York hotspots such as Union Pool, Public Records, and S.O.B.’s. After hearing Nancy on Hot 97’s “Ebro In The Morning,” Jay-Z flew the legend to Jamaica to sing and feature in his hybrid music video-documentary. Kanye West prominently sampled “Bam Bam” in the Rihanna-featuring “Famous”; Nancy’s chorus comes in midway through the song, adding an ethereal quality to West’s braggadocio. With her rights restored, Sister Nancy’s trajectory changed dramatically in the latter half of the 2010s — due in no small part to nods and samples from two of hip-hop’s biggest artists. “I just couldn’t take no more. I just say it’s time for me to be compensated, and I just did what I had to do,” the icon says of her legal battle for royalties.